A Good, Ambitious Horror Movie That Overplays Its Hand is Run Sweetheart Run.
Sweetheart, get out of here! Run is advantageous in two different ways. The first is that any narrative that involves a woman fleeing from the control of a male is inherently terrifying on its own. Kellee Terrell, Keith Josef Adkins, and Shana Feste, who are all co-authors, are certain of this information.
Throughout the course of the screenplay, women face a variety of real-world challenges, such as not being believed when they make serious allegations against powerful white men, other women standing by while men sexually harass other women, the police being helpless, not being able to obtain menstrual products, and, of course, the fact that a patriarchal society is all-encompassing.
Feste, who also directs, is an excellent illustration of how women battle and triumph over significant and inconsequential obstacles on a daily basis. Cherie, portrayed by Ella Balinska in the film Run Sweetheart Run, is a young mother who lives alone and aspires to become an attorney, but she now works as a secretary in a law practise that is hostile toward both women and people of color.
When Cherie confronts HR about something nasty a partner at the business said, she is met with the same old line about how the firm is attempting to be a friendly environment for women like her. This causes Cherie to feel as though her concerns have been invalidated.
Her day takes a turn for the worse when her boss informs her that she has fouled up his appointments and orders her to attend a dinner appointment with a customer. After Cherie gives her assent, she is later convinced that it would be beneficial for her to make the acquaintance of the charming young man.
The character of Ethan, who is portrayed by Pilou Asbaek, gives the impression of being attractive, wealthy, and ideal when they are having dinner together because he complements her, acknowledges her intelligence, and demonstrates a sensitive and caring side. Everything shifts as they realise how dangerous their affections for each other are and Ethan embarks on a hunt that lasts the entire night.
Feste demonstrates that he is a talented director, and Blumhouse Productions ought to give some thought to investing in him in the future. Some individuals have voiced their opinions that the production house does not make it simple for female directors to work for the company. From a purely technical standpoint, Feste is an impressive piece of work.
The camera is positioned effectively to capture Ella Balinska in an authentic state of performance. The movie, however, is not going to be successful since it has a limited budget, and it’s possible that this is because COVID makes it difficult to accomplish other things. Because a significant portion of the narrative goes beyond the constraints of the limited resources, the third and final act is not as impactful as it could have been.
Let’s imagine, without giving away any spoilers, that the story of a woman living in a world ruled by men is eventually told in a setting where humans don’t belong. This would be an interesting turn of events. No matter how skilled Feste is, she and her co-writers are unable to translate this essential section in a way that does it justice.
Feste has stated that a disastrous date and the subsequent sexual assault that followed it inspired her to make this film, and you can sense it in how honestly the threat to Cherie is portrayed in the film.
The movie keeps trying to give Cherie’s trouble a deeper rationale, but this is little in comparison to the risk posed by an average man who wants to make a lady flee for her life only for the joy of it. That fact alone is terrifying enough, and if the script is solid and concentrates on the ways in which society assists him, then the other major reasons won’t be able to compare and will not become excessive.
Run Sweetheart Run has one clear winner, Ella Balinska, despite a weak tale. Amazing. Talented and charming actor. Her chemistry with Pilou Asbaek is evident until they turn it evil.
Asbk excels in this film. His most crucial contribution is being Balinska’s backdrop. Greatness is achievable. This movie has a terrific idea, but it’s marred by silly rules. The film has issues but many positives.
Run Sweetheart Run’s score keeps the movie’s energy high. Robin Coudert aces the grim game of woman-and-monster. After working on Gretel & Hansel by Oz Perkins. The film’s star is a new “scream queen.”
Run Sweetheart Run’s tale is intense, and Balinska’s performance makes it a must-see. If the premise and tempo were changed, this Blumhouse film might linger longer in horror-pop culture.
Men have trained women to be their prey, but the film’s mythos doesn’t fit that. Adding the supernatural to Cherie’s situation reduces the intensity and terror.
This is especially obvious towards the finale, when the film doesn’t fully embrace the story. Run Sweetheart Run accomplishes its goal and makes Balinska a rising star. Run Sweetheart Run will do well as long as people desire fresh horror flicks.